This time not Fred Wesley again but Chuck Brown, the "Godfather of Go-go"(1936-2012). "Go-go is a subgenre of funk music developed in and around Washington, D.C. in the mid and late 1970s. While its musical classification, influences, and origins are debated, Brown is regarded as the fundamental force behind the creation of go-go music."
He had a very rough early life, growing up in poverty and being sentenced for murder, once being incarcarated, trading cigarettes for a guitar if we can believe the stories.
"When Brown completed his sentence, he moved back to Washington, DC and worked as a truck driver, a bricklayer, and a sparring partner at multiple boxing gyms. He also started to perform at parties throughout the area; however, he could not play at venues that served liquor, because his parole officer would not allow it", Wikipedia continues. So, there he was, in 1963, 27 years old...
Unfortunately I never saw Chuck Brown live, but here's a one hour live concert from 2009 in Washington DC (I recognize a.o. Little Benny on trumpet, Greg Boyer on trombone and Cherie Mitchell-Agurs on keys). The visuals are a but shakey (gets better after a while) but it gives a good impression of Go-go music culture.
This is the title track called Dark Horse. Just as in the album version it features sax and piano solos. It's a pretty wild performance, matching today's start of the Chinese New Year: THE YEAR OF THE FIRE HORSE!Live at Bimhuis, we added a drum solo. Afterwards, I decided to seperate it from the song and post it as an extra video below. Why not in one video?Because the video would become very very long and experience shows that people will not stick around for longer that 6-7 minutes. Yoràn's free drum solo is actually really great and in this seperate video, the true drum lovers can watch and learn from his drum story telling. Sometimes people ask me; What are drummers doing in their solos? To give you an idea of what Yoràn is doing in his solo: He starts with a pattern, an idea. He keeps the pattern going and plays variations over it. Then he combines it with soloing over it with call and reponse phrases and slides in new patterns. Technically it's interesting because he demonstrates a lot of independence and speed, as well as dynamics and sound colours, while telling a story, which means in musical context that the solo has certain elements which can be recognized by the (trained) listener. Many people in the Western part of the world miss the melodic and harmonic context during a free drum solo. It's fair to say a free drum solo without any accompaniment is like an abstract painting. Within the given context you can hear and see what you can manage, depending on your own frame of reference and expectations. In the end, it's about: does it resonate with you? Because both, the painting and the free drum solo, they lack a clear subject (no lyrics, no recognizable image), both forms are highly subjective and open to the interpretation of the audience. They function as a conversation between the artist's feeling and the viewer's/listener's perception.But you also can listen to it with a pure analytical drum ear and try to follow the patterns and phrases. As a musician and human I (try to) do both :-) Enjoy!More info:Susanne Alt: sax, Matthijs Geerts and Ike van Bergen: keys, Thomas Pol: bass, Yoràn Vroom: drums, Helene Jank: percussion Performed at 16th of January 2026 at Bimhuis, Amsterdam, Recorded by Onno Prillwitz Filmed by Robert Glass and Albert Nooij. - This time not Fred Wesley again but Chuck Brown, the Godfather of Go-go(1936-2012). Go-go is a subgenre of funk music developed in and around Washington, D.C. in the mid and late 1970s. While its musical classification, influences, and origins are debated, Brown is regarded as the fundamental force behind the creation of go-go music.He had a very rough early life, growing up in poverty and being sentenced for murder, once being incarcarated, trading cigarettes for a guitar if we can believe the stories. When Brown completed his sentence, he moved back to Washington, DC and worked as a truck driver, a bricklayer, and a sparring partner at multiple boxing gyms. He also started to perform at parties throughout the area; however, he could not play at venues that served liquor, because his parole officer would not allow it, Wikipedia continues. So, there he was, in 1963, 27 years old... Unfortunately I never saw Chuck Brown live, but here's a one hour live concert from 2009 in Washington DC (I recognize a.o. Little Benny on trumpet, Greg Boyer on trombone and Cherie Mitchell-Agurs on keys). The visuals are a but shakey (gets better after a while) but it gives a good impression of Go-go music culture.
