Another album from the 70's I mainly bought because it said " Arrangements: Fred Wesley". You never can go wrong. Released in 1979. I love how jazz influenced this funk album is, like many records during this time. Chameleon was found by saxophonist Azar Lawrence, a saxophonist with an interesting career between jazz and r&b, from Elvin Jones to Roberta Flack, Earth Wind & Fire and Busta Rhymes.. and still performing, as a matter of fact, this weekend at Dizzy's, Jazz at Lincoln Center, New York City with his jazz quintet. You know who plays drums? The name rang a bell... and yes, it's not coincidence they are family: Ronald Bruner. He's the father of Ronald Bruner, Jr, Stephen Bruner (Thundercat) and Jameel Bruner of The Internet. Thanks to Discogs, we can also have a look at some of the other musicians: Delbert Taylor, the trumpet player, played also in Slave and also plays on Fred's "House Party". Michael E. Stanton: played with Marvin Gaye, on the same live album as bass player Gerald Brown. I wonder how they met. Did they tour with this project? Or was it the funky dream come true of Azar Lawrence? I'll ask him and if I get an answer I'll let you know.
This is one of my favourites of the album, the instrumental "Mysteryoso. Clear signature of Fred. I always wonder if he influenced the Brecker Brothers during the Parliament period or they influence them. Or both? Questions, questions, questions :-)
So the first time we played the music from Royalty For Real wasn't in Amersfoort, the Netherlands, but in Bengaluru and Mumbai, all the way in India in 2023!Here you'll see me play Au Privave, Classy Cats and Royalty For Real, together with Timothy Banchet (piano), Marius Beets (bass) and Sven Rozier (drums).Au Privave is a well-known blues by Charlie Parker which I often like to start with, almost like a soundcheck tune. Although most of the time a soundcheck is done I found out it's a good idea to play a tune everybody of the band knows very well so we all can get used to the sound of the stage, the presence of the audience and it also gives the sound engineer the chance to adjust microphones last minute. During the soundcheck, the sound of the room is significantly different because of the lack of audience. All that flesh and clothes work a little bit like a totally empty room versus a room with furniture and carpets, if you know what I mean :-)Acoustics are so interesting and full of surprises.. Anyways.. hope you like it! - Another album from the 70's I mainly bought because it said Arrangements: Fred Wesley. You never can go wrong. Released in 1979. I love how jazz influenced this funk album is, like many records during this time. Chameleon was found by saxophonist Azar Lawrence, a saxophonist with an interesting career between jazz and r&b, from Elvin Jones to Roberta Flack, Earth Wind & Fire and Busta Rhymes.. and still performing, as a matter of fact, this weekend at Dizzy's, Jazz at Lincoln Center, New York City with his jazz quintet.You know who plays drums? The name rang a bell... and yes, it's not coincidence they are family: Ronald Bruner. He's the father of Ronald Bruner, Jr, Stephen Bruner (Thundercat) and Jameel Bruner of The Internet. Thanks to Discogs, we can also have a look at some of the other musicians: Delbert Taylor, the trumpet player, played also in Slave and also plays on Fred's House Party. Michael E. Stanton: played with Marvin Gaye, on the same live album as bass player Gerald Brown. I wonder how they met. Did they tour with this project? Or was it the funky dream come true of Azar Lawrence? I'll ask him and if I get an answer I'll let you know.This is one of my favourites of the album, the instrumental Mysteryoso. Clear signature of Fred. I always wonder if he influenced the Brecker Brothers during the Parliament period or they influence them. Or both? Questions, questions, questions :-)
