Vinyl Wednesday: Bootsy Collins - Stretchin Out In Bootsys Rubber Band

This is the title track called Dark Horse. Just as in the album version it features sax and piano solos. It's a pretty wild performance, matching today's start of the Chinese New Year: THE YEAR OF THE FIRE HORSE!Live at Bimhuis, we added a drum solo. Afterwards, I decided to seperate it from the song and post it as an extra video below. Why not in one video?Because the video would become very very long and experience shows that people will not stick around for longer that 6-7 minutes. Yoràn's free drum solo is actually really great and in this seperate video, the true drum lovers can watch and learn from his drum story telling. Sometimes people ask me; What are drummers doing in their solos? To give you an idea of what Yoràn is doing in his solo: He starts with a pattern, an idea. He keeps the pattern going and plays variations over it. Then he combines it with soloing over it with call and reponse phrases and slides in new patterns. Technically it's interesting because he demonstrates a lot of independence and speed, as well as dynamics and sound colours, while telling a story, which means in musical context that the solo has certain elements which can be recognized by the (trained) listener. Many people in the Western part of the world miss the melodic and harmonic context during a free drum solo. It's fair to say a free drum solo without any accompaniment is like an abstract painting. Within the given context you can hear and see what you can manage, depending on your own frame of reference and expectations. In the end, it's about: does it resonate with you? Because both, the painting and the free drum solo, they lack a clear subject (no lyrics, no recognizable image), both forms are highly subjective and open to the interpretation of the audience. They function as a conversation between the artist's feeling and the viewer's/listener's perception.But you also can listen to it with a pure analytical drum ear and try to follow the patterns and phrases. As a musician and human I (try to) do both :-) Enjoy!More info:Susanne Alt: sax, Matthijs Geerts and Ike van Bergen: keys, Thomas Pol: bass, Yoràn Vroom: drums, Helene Jank: percussion Performed at 16th of January 2026 at Bimhuis, Amsterdam, Recorded by Onno Prillwitz Filmed by Robert Glass and Albert Nooij. - 41 years ago, this masterpiece was delivered. It is the first album by American funk and soul band Bootsy's Rubber Band led by bassist and vocalist William Bootsy Collins. It was recorded around the same time as Funkadelic's Let's take it to the stage and Parliament's Mothership Connection.(Wikipedia).I love the opening track Stretchin' Out In Bootsy's Rubber Band. What a way to start an album with. Bootsy's brilliant first words are:Halleluia! They call me Casper! Not the friendly ghost But the holy ghost! Dig! And I'm Here To make ya shout Glory be to the one Who knows what the funk's about Like the ridin' rhythm Only if you can stand The elastic music Of my Rubber Band I'm gonna hit ya with the one (ughh) And Glory Be, the Funk's on me, cuz DIG! This is Casper here, and I'm callin' short distance, baby I'm gonna hit ya with the one on the fun(...)Without a doubt, this is a more than funky welcome to another continent of the P-Funk empire.Another favourite, the second tune:Of course, horn arrangements by Fred Wesley. Also nice to know that Bootsy Collins will be touring Europe again this summer, I saw 22-06 Paradiso, Amsterdam and 23-06 O2, London. Website Bootsy Collins